| PORTAL HOME Telephone: 01474 705 054 Mobile: 07847 031 350 E-mail | ||
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Shinseikan Core System |
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List 1: Manner of Teaching |
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1 |
Embrace and disseminate Okinawan (Ryukyuan) traditions |
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2 |
Work in the old style and seek to be fully functional, utilitarian, practical, and efficient. Principle led training before form led training. Good form is borne of good function. |
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3 |
Seek to emulate the system disseminated by Bushi Matsumura through sound personal research and through copying the ways of those further along the path. |
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4 |
Always practise in a safe, therapeutic and healthful manner. |
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List 2: Teaching licences |
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1 |
No one may run a dojo until they have been awarded Menkyo Shoden or equivalent Shodan rank within our or another reputable organisation with verifiable certification (see Structure of Personal Advancement). All levels below Shoden or Shodan are student (deshi) ranks only. |
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2 |
Dojo sensei (running their own dojo), wishing to join Shinseido Shorin Ryu will, subject to a) assessment by SSR Chief Instructor Roger Sheldon, b) their CV and c) validation of their certification, retain their existing rank subject to their willingness and ability to adopt the principles of the association herein described. SSR confirmation and certification of rank will be made when all SSR requirements have been met. |
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3 |
All teachers who have, but not yet been awarded the Menkyo Chuden certificate or Yondan and therefore called by the honorific Senpai, will act ‘under supervision’ of SSR Chief Instructor Roger Sheldon as ‘student’ or ‘provisional’ teachers (Kyousei). |
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4 |
Teachers having been awarded the Menkyo Chuden certificate or Yondan will be recognised as being capable of operating their dojo on a ‘fully independent’ basis. |
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5 |
Each dojo sensei will be designated a given name. The given name will be the name of the dojo. For example Roger Sheldon’s given name is Shinsei and his dojo is Shinsei dojo (SSR). |
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MSK Mandatory Core System |
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Each member dojo must have or must aspire to have the following in place: |
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The Rudiments of Matsumura Shurite To be taught for, or anytime before Shoden (Shodan) |
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1 |
Stance techniques |
Tachi waza |
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a |
Natural stance - ready posture (kamae) |
Shizen dachi (Shizen tai or yoi dachi) |
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b |
Tied foot stance |
Musubi dachi |
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c |
Tiger stance |
Tora dachi (Zen kutsu dachi) |
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d |
Horse stance (Ba dachi) (open version) |
Paisai dachi |
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e |
Horse stance (Ba dachi) (closed version) |
Naihanchi dachi |
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f |
Snake stance |
Hebi dachi (Ko kutsu dachi) |
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g |
Half stance |
Han dachi |
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h |
Crane stance |
Tsuru dachi (Tsuru ashi dachi) |
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i |
Dragon stance |
Ryu dachi (Sanchin dachi) |
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j |
Phoenix stance |
Houho dachi (Kage dachi) |
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k |
Regular stepping - forwards and backwards |
Ayumi ashi |
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l |
Scooting in stance - forwards and backwards |
Yori ashi |
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m |
Pivot turn |
Mawatte |
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n |
Step turn |
Kaiten |
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| o | Foot turning | Ashi sabaki | ||||
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2 |
Receiving techniques |
Uke waza |
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a |
High inwards defence (1) |
Jodan Uchi uke |
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b |
Low outwards defence (7) |
Gedan soto uke |
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c |
Low inwards defence (13) |
Gedan uchi uke |
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d |
High outwards defence (16) |
Jodan soto uke |
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e |
Rising defence (5) |
Age uke |
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| f | Sword hand defence | Shuto uke | ||||
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3 |
Thrusting techniques |
Tsuki waza |
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a |
Regular thrust (palm or fist) (17) |
Oi tsuki |
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b |
Reversed thrust (palm or fist) (3) |
Gyaku tsuki |
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4 |
Striking techniques |
Uchi waza |
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a |
Back-fist strike (2) |
Uraken uchi |
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b |
Rising strike (uppercut - hand or fist) (6) |
Age uchi |
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c |
Sword hand strike (14) |
Shuto uke |
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d |
Elbow smash (8) |
Enpi ate |
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e |
Hammer fist strike (11) |
Tetsui uchi |
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5 |
Kicking and sweeping techniques |
Ashi waza |
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a |
Shin bridge (10) |
Sune uke |
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b |
Outside foot block (12) |
Sokuto uke |
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c |
Inside foot block (4) |
Teisoku uke |
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d |
Knee smash (15) |
Hiza ate |
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e |
Front kick off the back foot (18) |
Mae geri ura |
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f |
Front kick off the front foot (9) |
Mae geri omote |
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g |
Side foot kick (additional technique) |
Sokuto geri |
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h |
Round kick (additional technique) |
Mawashi geri |
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i |
Back kick (additional technique) |
Ushiro geri |
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j |
Crescent kick (additional technique) |
Mikazuki geri |
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6 |
Combinations (various combinations of above) |
Renketsu waza |
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7 |
Pairs work |
Kumite |
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a |
Evasion: Body change (taisabaki) Evade successive random advancing linear attacks with standard lateral evasion, advancing laterally, retreating laterally. Ducking and weaving |
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b |
Releasing techniques (hanashi waza) (appropriate releasing, disengaging and breakaway strategies to various holds). Use of pressure points (kyusho) |
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| c |
Breakaway techniques
(Ridatsu) Breakaway from a corner (linear and evasive strategies +
use of wall as weapon) ________________________________________________________________________ |
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| d | Wrestling (Tegumi): including the principle of sustained bridging - sticking hands (chi sau); pushing hands (tui shou) and trapping hands (phon sao) (muchimi) - pushing and barging techniques (oshiwaza). As a response to successive random close quarters hand assaults. | ||||
| e | Holding techniques (Tsukami waza) Arm holding/control exercise. | ||||
| f | Joint locking techniques Torite waza (various) | ||||
| Tuite (Torite): Grappling techniques/skills. Using pressure points for joint manipulation. Chinese self-defence art; Grappling/joint manipulation art found in kata using pressure points; Locking methods; | |||||
| Toidi = Torite (seizing hand) arrest techniques; | |||||
| g |
Takedowns and throws
Nage waza
Demonstrate simple takedowns and throws (various) ________________________________________________________________________ |
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| h | Striking (Uchiwaza): Including the principle of Transient bridging: Random one step sparring (jiyu ippon gumite) Manage single successive random attacks using three or more hand and foot counter active strikes. | ||||
| i | Compromise sparring (Waki gumite) Regular distance and close quarters, one and two attackers. | ||||
| j | Flow drills (Ryudo kunren) (formal flow drills: straight punch; round punch; back fist and uppercut) Switching hand: Demonstrate the switching hand principle against single linear and circular attacks | ||||
| k | Bow hand techniques: To successive single random attacks | ||||
| l | Self-defence: Manage realistic sustained assaults in both peaceful and reactive modes. Single and multiple assailants, unarmed and armed (including cudgels, knives and firearms). | ||||
| m | Kata oyo and bunkai: Have an understanding of the core kata through practise of kata oyo (putting kata applications to practical use) and kata bunkai (learning to disassemble and analyse the forms). Having an ability to explain and demonstrate the purpose of each of the movements within the kata and identify kyusho etc. | ||||
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8 |
Additional: To be introduced for, or anytime before Shoden (Shodan) |
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a |
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b |
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c |
Behaviour, attitude, bearing |
Soburi |
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d |
Sensitivity and control |
Kansei |
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e |
Relaxation and fluidity |
Chikan |
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f |
Focused power and energy |
Kime Chikara |
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g |
2500 word essay entitled: "Personal Reflections Upon My Martial Art" |
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9 |
Core Foundation Forms: To be taught for, or anytime before Shoden (Shodan) |
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a |
Kata Shinzen |
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b |
Kata Tenzen | |||
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c |
Kata Tenshu | |||
| d |
Kata Seisan |
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g |
Kata oyo and bunkai: See Pairs work (kumite) m above |
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10 |
An understanding of the fundamental principles: To be introduced for, or anytime before Shoden (Shodan) |
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| a | Correct Heart and Attitude | Kokoro | |
| b | Appearance | Minari | |
| c | Correct distance and position | Maai | |
| d | Gaining the Centre | Chushin | |
| Taking the initiative | Sente | ||
| Sticking | Muchimi | ||
| Unbalancing | Kuzushi | ||
| Moving to a position of advantage | Taisabaki | ||
| Synergistic use of the muscles | Ki | ||
| Use of gross motor movements | |||
| 11 | Adoption of fundamental stylistic traits: | ||
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a |
Shizentai: Natural structure, loose form |
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b |
Dynamic, straight stepping |
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c |
Natural breathing |
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d |
Mobility, evasion, body change, yielding (taisabaki) |
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e |
Off-line defence and counter attack |
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f |
Attacks to kyusho with specific hand & foot weapons |
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g |
Minimal pull hand (hikite) and fixed posture (kamae) | ||
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h |
Successive strikes |
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i |
Direct delivery | ||
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j |
Angled, multi-directional delivery |
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k |
Low line kicking |
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| l |
Whip, recoil striking action (inc. whipping hip movement) |
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Speed |
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12 |
Basic Matsumura Shurite Historical and Geographical Paper |
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a |
Ability to answer any of the questions |
To be learned for, or anytime before Shoden (Shodan) |
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13 |
Core Intermediate and Advanced Forms |
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a |
Kata Paisai Intermediate |
To be taught for, or anytime before Chuden (Yondan) |
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b |
Kata Chinto Intermediate |
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c |
Kata Useishi Advanced |
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d |
Kata Kusanku Advanced |
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e |
Kata Hakutsuru Advanced |
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14 |
Core Kobudo forms |
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a |
Kata Soken no Bo Jutsu (Entry example of a stick cum spear form) |
To be taught for, or anytime before Chuden (Yondan) |
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b |
Kata Soken no Sai Sho (Entry example of a paired weapons form) |
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c |
Ken no gata (Entry example of a single bladed weapons form) |
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Note: Additional material in the form of kata, methods, procedures, drills etc. may be added to the core system to the needs and convictions of each dojo sensei. |
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